The celebrations have already begun. The spinning is already reaching fever pitch.
Ministers are saying, among other things, that the bailout is over, there will be no crock of gold, and austerity will continue.
More of the same, in other words.
But sure aren’t we great all the same?
Ireland is indeed exiting its bailout, and it will culminate in a TV address by Enda Kenny on Sunday.
I won’t be watching.
If I was, I’d expect to hear him “thank” the Irish people for the “sacrifices” that they have made.
No mention will be made of the fact that they were never asked whether they wanted to make these sacrifices or not, nor will there be a word about the money and the future that was stolen from them.
Instead, fueled more by ego than egalitarianism, the most powerless leader in Europe will waffle his way through some platitudes about “the best little country in the world to do business” and what great Europeans we all are.
Once again you will be told that there was no choice – there was no other way.
Then you’ll be told the banks are well-capitalised, and that Ireland is back in the markets and well-funded, and not to pay any attention to the shiver that that news sends down your spine as the ghost of Brian Lenihan flits across your screen.
Of course, no journalist will be allowed into the studio while this farce takes place, nor will the opposition have a chance to question him. Enda doesn’t do debate. He doesn’t do accountability. He doesn’t answer questions. Mostly because he can’t.
Stilted, slow-witted, he limits himself to reading what it says on the card. Understanding it is not a prerequisite. You are being talked at, not to.
If I could, I’d skip Enda’s narcissistic news bulletin and instead invite everyone available to join me outside the GPO, where we can all bring our bodhráns and get decked out in our green jerseys and flags and sing a few songs.
And just at the moment he commences his pointless spoofery on RTE, we can all burst into “The Fields of Athenry”, the song that under Giovanni Trapattoni became our anthem of failure when hopelessly outclassed in Europe.
In this context it is even more fitting, given its depiction of poor folk persecuted by the authorities and forced to leave for Australia against their will.
The irony would be lost on Enda, but not on the fathers and mothers contemplating Christmas alone as their offspring celebrate on a beach on the other side of the world.
And when we’re done singing our bitter hymns of longing and failure, we can all go home again and change nothing, because that is what we do.
We accept that the wealth of the nation is given away. We accept the narrative that it is the poor, and not the ruling class or the speculators, that are really to blame.
We’ll go back to laughing at careerist civil servants and their attempts to hold on to their pensions, all the while electing careerist politicians too simple and dull to facilitate the meaningful change that would be required, not to create a just society, but just to manage a bearable one.
We will quietly admit that the concept of the fighting Irish is very much an American construct and has little to do with the supine manner in which we have surrendered our democracy to men like Enda Kenny and Colm Keavney.
And in doing so we will admit that we deserve no better, because we are no longer prepared to fight for what is right. And we probably never were.
And in the meantime, those a long way from the fields of Athenry will look back at Ireland and wonder why anyone bothers to stay at all – apart from gormless Enda and the rest of the privileged few, that is.